Super Moon over North Cyprus

I just happened to look out the window this evening, around 6.30pm, to see this month’s Super Full Moon shining big and bright, much more brilliant than the last Super Moon that everyone banged on about. Here it was pathetic!  So here’s the lovely full moon shining down on our little island in the eastern Mediterranean and also another image with Pixlr overlays (just ‘cos I felt like having a bit of creative fun!).



Exuberant Eclipses

Mama Moon

This month we have eclipse season – a New Moon Solar Eclipse on 12/13th September, and a full Moon Lunar Eclipse on 27/28th September (my birthday – should be interesting this year!). So this piece of digital art honours the eclipses and the challenges, changes and transformations they can offer our lives. The moon image is self-explanatory; the butterfly represents change and transformation; the lightning represents the upheaval than can occur in our lives if we dance with eclipse energy and are open to new phases of our lives.

There’s a heap of information out there on the internet about the meaning and influences of these eclipses so here are a couple of links:

Solar eclipse, September 2015

Lunar eclipse, September 2015

Susan Miller: Eclipse Information

If you’re interested in investigating further about the nature and influences of eclipses, you can find a heap of links on the internet, but an interesting website which also offers a personal analysis of how eclipses affect you can be found at:

April Elliott Kent’s Astrology Blog



On the Full Moon last Friday I did a release ritual.  I cleared off the crystals I’d laid out in a grid for the New Moon and simply left the yellow glass chips on the yellow-coloured plate, and lit a candle in a turquoise candle-holder.  Yellow for me was the energy of the Full Moon and the turquoise represented communication with love – I wanted to collaborate with universal energies with the power of love to fuel my release ritual.
The next day, a Saturday, I took my paintings to a women’s expo exhibition to sell whatever was meant to go to a new home, and lessen our luggage when we do eventually sell this home and set out for Cyprus.  I have been wanting to let go of this painting for a long time as it’s far too big and cumbersome to move overseas with us:
 It’s a very large, powerful piece of artwork but, as you can see, it’s not everyone’s cup of tea.  I called it Earth on Fire, as I finished this three days before the February 2009 bushfires in Victoria.  We were in an area where 11 people died, and we were very close to the bushfires.  Our roof, garden, patio, car, carport and floors in our home were coated in ash,  but we were thankful we survived when so many didn’t. I set this painting up at the expo and one woman came over straight away and was rapt in the artwork.  She didn’t have any money so I gave it to her. as she said she wanted to place it behind her bed. Personally, I don’t want this on any wall let alone close to my bed, but there you go – everyone’s taste is different!
When we got to the expo I found that my husband had packed a painting I hadn’t intended to sell, so I tucked it away behind me up against the wall. And the lass next door honed in on it and offered to buy it.  I always believe that synchronicity happens and somehow I was meant to let go of this painting.  Prior to it being sold, I’d been feeling very weepy and emotional, which puzzled me as these feelings had turned up out of the blue. But I realised, once the painting had gone, that it contained rocks and seashells from Scotts Head Beach, which I gathered just after I’d scattered my parents’ ashes there after the death of my father.  I created the painting when we got back home from our visit to this area (we were still living in northern New south Wales at the time), and I guess it meant a lot to me emotionally which is why I’d hung on to it.  Here’s the painting:
A while back I went to a local market to do Tarot readings and I’d met Cassie, who had the adjoining stall.  She came to a New Moon Mandala workshop I held a whle back and I got to talking to her just before I left.  I told her about my emotional reaction to selling my painting and she promptly got me up on her massage table and did a kinesiology/muscle test on me to balance my emotions and let go of the feelings of loss. 
I find all this very redolent of synchronicity – meeting Cassie, catching up with her at my workshop, selling my artwork to the lass who “happened” to be on the next-door stall, and then catchng up with Cassie who cleared out the emotional imbalance and completed the healing release I’d asked for in my New Moon ritual.  
It’s a very big reason why I attend markets or expos because you never know who you are going to meet or where your connections are going to lead you.  As the lass on the next-door stall said, she was right beside me because she was meant to buy the painting, and it may well be that she’ll visit me further down the line with a view to buying my crystals.  But this latter is a matter for the future.

>A path of Passion 2

>As part of my retreat, I also felt compelled to create a piece of artwork which I think rather reflects the energy I feel at letting go of juggling too many balls and focusing only on the two main passions of my life:

I actually set out to create a montage of Aboriginal artwork I cut out of a 2010 diary I bought at the beginning of the year. Aboriginal art always talks to me because it’s so symbolic and I find it fascinating how Aboriginal artists sing their connection to this Earth into their artwork.

However, when I had finished the underlay paint of yellow, orange, red and ochre spreading out from the centre, I really felt drawn to continue to create a painting as opposed to a collage. And the above is the result.

At the centre is a polish cabochon of Tiger Eye surrou8nded by small Tiger Eye tumbled stones. These represent, for me at least, coming back down to Earth in relation to expressing my passions, and not being off in th ether with airy-fairy dreams which, with all due respect to them, send me hairing off in too many directions.

The yellow wavy circle represents my self-confidence and the journey of self-healing I’ve followed in order to express my passions in my own way. Around this are polished Citrine chips which represent the abundance and lightness I feel in my heart now I feel more aligned with what feeds the passion in my life.

The next, red, wavy circle represents the energy I feel now that I’m actually centred in my heart and I’ve let go of extraneous goals which were draining my energy. Around this are small, tumbled Carnelian stones which I always know as the Harvest Stone. ‘Nuff said.

The orange, wavy circle is my creative energy expanding while the small, Clear Quartz tumbled stones around this circle represent clarity of purpose.

Finally, the purple of the outermost wavy circle represents for me the spiritual inspiration which feeds my work, and my aim to be a channel to bring Spirit to Earth in my creativity.

The four black stones in each corner are a bit of a mystery. They could be black onyx or they could be obsidian, but either way they represent the stability of being grounded and aligned with the four directions – East, West, North and South – and four energies – Earth, Fire, Air and Water.

I might add that all this has only come to me as I’ve completed this painting and stood back and looked at it. It’s always a surprise what eventuates in creating artwork when I listen to intuition, keep my logical side under wraps, and simply go with the flow.

And, yes, I’ve yet to decide what I’m going to do with the photos of Aboriginal artwork which are still to be given a home!