I’ve returned again to a photograph of the Standing Stones of Callenish by Dina of The World According to Dina.
In this image I have linked with the concept of Australian Aboriginal songlines. Aboriginal people, as far as I can understand, have songlines which criss-cross the country and relate to physical elements, reflected in song, which act as place markers. An Aboriginal person can sing their way across the country by reflecting on the song and knowing what physical place it relates to. A person can sing a song to another person who can then traverse the countryside solely by the songlines and their relation to physical elements.
I remember watching an Aboriginal Elder being shown a painting created by another Aboriginal artist, and the Elder started singing as he “walked” through the landscape of the painting. It was astonishing and really a cause for humility in that so often we are disconnected from earth energies and yet consider Western civilisation so “advanced”.
In this instance I’ve represented the songlines or ley lines emanating from the Standing Stones of Callenish as ribbons of energy at the bottom of the painting. The white, dotted wheels represent the turning of the wheels of time as these energy lines permeate Mother Earth and connect our whole planet via the ephemeral energy lines.
We are, literally, never alone as earth energies reverberate below our feet wherever we are and anchor us to this lovely planet on which we live.